Graphic Representations Of Short Musical Compositions

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Automated Tweaking of Levels for Casual Creation of Mobile Games

easily create artefacts such as musical compositions, filtered digital photos, abstract artworks, stories, and poems. Some games include features such as character creators or level editors which could be classed as casual creators. However, there is a lack of such software that gives aspiring game de-

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Neapolitan and augmented sixths, advanced modulation, ninth chords, and smaller musical forms. Students will be able to analyze representative music literature, render part-writing exercises, and create short compositions in a variety of textures employing chromatic tonal harmony. Component Area for which the course is being proposed (check one):

Kensington Primary School Term 1 Overview 2017 Specialist Classes

how to follow visual representations of a musical score (graphic notation) with percussion instruments and will work in small groups to create their own musical representations of their environment. They will use the language of music to respond to the recorded music they hear and the music created and performed by their peers.

Component Area Option (a): Mathematics/Reasoning-MUSI-

methodologies in the analysis of musical processes, works, and characteristics of musical styles. Students will be able to analyze representative music literature, render part writing exercises, and create short compositions in a variety of textures employing chromatic tonal harmony. Students will attain

About this Month s Focus: What is Visual Literacy?

dents create their first musical compositions. Using a simple 4x4 square grid that I found at , students cre-ate rhythm compositions, first using visual representations of classroom rhythm instruments, then using simplified quarter note and eighth note notation. These grids are great to use with older students who are already familiar

Graham Coleman Atlanta, GA [email protected]

ous recordings in new compositions has become an im-portant tool in music composition. Starting with musique concrete in the late 1940s by Pierre Schaeffer, magnetic tapes were cut, pasted, and spliced to compose sounds from disparate settings into a new context. Sampling has since become an integral part of many genres, including

Getting the shapes right at the expense of creativity? How

representations (relating to sensory-motor integration). Method Forty-one musicians and thirty-two non-musicians were asked to represent visually eighteen sequences of pure tones varying in pitch, loudness and tempo, as well as two short musical excerpts (recordings of the first two bars of Chopin s

Deutsch Aktuell 1, 5th edition

addresses activities that range from skits to formal oral presentations and from short compositions and creative works to formal written reports. Beginning Presentational The learner will 1. give directions, commands and instructions; TE: 210, 275, 276, 342, 345, 354, 355, 360 2. present information on simple topics in a variety of formats;

A 19th Century Arab's Observations on European Music

As for the Arabs, they say that [of the various kinds of musical compositions known to them] rasd moves deeply, sikah causes joy, saba and biyat stir up sorrow, hijazi revives and makes one tender, and so on.7 The two [i.e., Frankish and Arab music] differ on a number of counts. One is that the Franks have no free music unbound by those graphic

THE FOUR KNOW BEFORE THE SHOW

o 9 Musical Theatre Writers You Should Know. American Theatre 31:6 (2014), 36 37. Available digitally via: GALE AND PROQUEST DOHENY MEMORIAL LIBRARY JOURNAL STACKS: PN2000.A437 o Boatright, Michael. Graphic Journeys: Graphic Novels Representations of Immigrant Experiences. Journal of Adolescent &

Transported to Narrative Worlds: The Effects of A Narrative

Musical Structure and Emotional Response. Journal of Interdisciplinary Music Studies 3(1&2), 95-117. Sloboda, J.A. (1985). The Musical Mind: The Cognitive Psychology of Music. London: Oxford University Press. Tan, S.L. and Kelly, M.E. (2004). Graphic representations of short musical compositions. Psychology of Music 32(2), 191-212. 1105

Me and My Music - JCT

interpretation of musical texts in various notated formats, including staff notation, graphic notation, using technological means and other appropriate formats. SOL 4: The student creates and presents artistic works and appreciates the process and skills involved. Students will create a range of compositions; capturing and

Describing the Perception of Tonality in Music: A Critique of

namic perception of tonality as it unfolds during actual musical listening. The probe-tone testing procedure most often used to substantiate the tonal hierarchy theory is criticized for the ambiguity of its response task, so that test results could be an artifact of effects of short-term memory.

Unix Music Tools at Bellcore - Langston

data streams, splitting data streams, encoding musical compositions, and so forth. We hav e routines that provide these functions (and many more); the routines all read and/or write a common data format. To sup-port a new data format all that is required is a pair of modules that convert to and from the common data format.

Purpose of Study - Ivanhoe School

Musical notations - notes on a stave and/ or graphic representations of music. long and short, high and low their musical compositions.

Chromatic and Harmonic Scales for Intuitive Sonographic

Compositions Vincent Lesbros GAIV - La Ferrassie [email protected] Abstract Historically, sonographic representations of sounds are based on two types of scales: linear or logarithmic (Xenakis, 1971; Roads, 1995; Lesbros, 1995, 1996; Xiaoying, 2008). These two kinds of scales introduce beats between sounds produced by adjacent lines of the image.

Music - Home NSW Education Standards

perform own compositions perform arrangements as soloist or member of an ensemble perform graphic representations of traditional scores perform arrangements using appropriate technologies to recreate tone colours of the baroque era experiment with and perform rhythmic phrases using techniques to sustain notes Composition

2017 ART STUDIO & STAGE TOUR

My images are flat, graphic representations of various characters, each serving their purpose in the storytelling. I am diligent about my use of color and the moods and tones it sets. I pay attention to how the colors and shapes I am using interact with one another.

Unit 3B Manipulating sound

are familiar with graphic representations of music. TECHNICAL VOCABULARY sequence RESOURCES electronic keyboard with a range of sounds and the ability to store and play sequences CD-ROM of musical instruments tape recorders music composition software with icons to represent musical phrases musical cards showing

Module 4 Copyright

Non-dramatic musical compositions are subject to a compulsory license once released to the public cover license under §115 3) dramatic works, including any accompanying music 4) pantomimes and choreographic works 5) pictorial, graphic, and sculptural works 6) motion pictures and other audiovisual works 7) sound recordings

Music Long Term Plan: Route A

Read and write graphic representations of rising and falling pitch Play sounds getting louder and getting softer To know what the songs are about Read and write graphic representations of rising and falling pitch Timbre - Choose sounds to match pictures, scenes, stories, emotions etc Listen to and identify loud and soft dynamics

THE LEARNER S INTUITION: HARNESSING THE POWER OF INTUITIONS

THE LEARNER S INTUITION: HARNESSING THE POWER OF INTUITIONS DURING CREATIVE AND COLLABORATIVE ACTIVITIES Michael Paul Downton Submitted to the faculty of the University Graduate School in partial fulfillment of the

Flux - Jon Fielder - Composer :: Sound Designer

Flux is the fifth installment in my series of Transformations pieces ! compositions based on constant but gradual change and evolution of a musical idea over time. Flux is scored for 6 performers with open instrumentation. The central idea is the development and evolution of ideas in addition to an evolution of the performance space.

CHAPTER 1 INTRODUCTION

representations of short compositions, shows that musically trained listeners are more likely to follow only one structural element, such as pitch (Tan and Kelly, 2004:200) in listening experiences and that they maintain this focus when listening to different pieces of music.

Animation in Palaeolithic art: a pre-echo of cinema

Magdalenian compositions show that the representation of narrative is also employed in the Upper Palaeolithic. The panel of the 'Petit sorcier à l'arc musical' engraved at the heart of the sanctuary of the Trois-Frères Gave (Ariège) depicts a majority of bison as well as several horses and ibex.

y onfused MEDIA ARTS 3-8: MIND THE SELFIE!

to become musical compositions they are graphic scores (a graphic form of musical notation). ASK STUDENTS TO Decide and assign a musical instrument (or object) to each of the different colours and symbols (representing a thought/feeling) on their mind maps. Explore and decide how they will play that instrument for that particular

Music Curriculum Heymann Primary School

reate short, musical patterns. reate a sequence of long and short sounds. reate a mixture of different sounds (long and short, loud and quiet, high and low). reate short, rhythmic phrases. ompose and perform melodic songs. Use sound to create abstract effects. reate repeated patterns with a range of instruments.

REFERENCES - dspace.nwu.ac.za

HOSHINO, E. 1996. The feeling of musical mode and its emotional character in a melody. Psychology of Music, 24:29-46. JUNTUNEN, M.L. 2004. Embodiment in Dalcroze Eurhythmics. Oulu: Oulu University Press. (Academic dissertation presented with the assent of the Faculty of Education, University of Oulu.) 98 p.

3-D films (Not Subd Geog) Doctoral dissertations BTFiction

Short, unedited, silent films, primarily from the representations of cities or landscapes portrayed as if Musical compositions created by chance methods

Music Notation and Creative Pedagogy

This New Music reflected new ways of thinking in sound and musical structure. Furthermore, the traditional notation was increasingly unable to represent the new sounds that composers were already using. For this reason, composers began to write their own notations and started to use graphic representations of new types of sounds [8].

Music & Shape - Institute of Musical Research

Graphic representations of short musical compositions. Psychology of Music, 32(2), 191-212. Walker, R. (1987). The effects of culture, environment, age, and musical training on choices of visual metaphors for sound. Perception & Psychophysics, 42(5), 491-502. 12.15 Alex Billig and Daniel Müllensiefen (Goldsmiths College) Crossmodal

World Languages, Assessments

artwork: dances music compositions puppets/shows painting displays musical instruments raps, jingle, chants, sculpture drawings musical performance cheers ceramics flags musical plays record/CD/book covers banners flip books musical symbols role plays billboards flower arrangements origami silkscreen prints

Learning Outcomes Music Middle

Read, interpret and play from symbolic representations of sounds (e.g. graphic notation), and create and present a short simple melody, using appropriate symbolic representation to illustrate variations in pitch and dynamics. Create and present musical ideas, using percussion instruments and found

TOTTINGTON HIGH SCHOOL

work, a set of essays, a fieldwork study, musical compositions, reports or assignments. Sometimes they submit only the best of these. Students are expected therefore not only to complete the work so that there are no gaps in their folios but INTRODUCTION TOTTINGTON HIGH SCHOOL Laurel Street Tottington Bury Telephone: 01204 88 2327

Creating the hyperreal2 - charm.cch.kcl.ac.uk

movements to record changes, or off-line, using graphic representations to control changes. The graphic representations of some of the most dynamic level automation in this mix are indicative of some of the very active automation effects. Graphic representation of dynamic level automation.

Physical phenomena Stage 3

singing and performing own musical compositions researching forms of energy designing electrical circuits designing and making a product that uses transformation of electrical energy. composing and performing a dance. SciTech There are many forms of energy, including electrical, chemical, solar, nuclear, heat, light and sound.

ROBADO CONTROLLING MOZART S DICE MUSIC USING ACCELERATION SENSORS

people, without any musical education, could compose an infinite number of compositions on their own, by throw-ing dice. The most famous example of such a game is Mozart s Dice game from 1787 [6]. A similar game was made by Kirnberger [3]. Figure 1. Two measures from Mozart s Dice game col-lection. Thefirstandthesecond measurearenumberedas

Module 4 Copyright

Non-dramatic musical compositions are subject to a compulsory license once released to the public cover license under § 115 3) dramatic works, including any accompanying music 4) pantomimes and choreographic works 5) pictorial, graphic, and sculptural works 6) motion pictures and other audiovisual works 7) sound recordings

The Copyright Office at the 2019 Miami University Libraries

Sep 26, 2019 include false representations regarding authorship of expressive works VARA element. 1. Clarify commercial art exclusion. 2. Better instruct courts on applying recognized stature 3. No author should be able to waive another author s VARA rights. § 1202 Add new 1202A allowing author to recover civil damages upon

3-D films (Not Subd Geog) Graduate theses Action comics

Short, unedited, silent films, primarily from the representations of cities or landscapes portrayed as if Musical compositions created by chance methods